Նվիրատվություններ Սեպտեմբերի 15 2024 – Հոկտեմբերի 1 2024 Դրամահավաքի մասին

Early Film Theories in Italy, 1896-1922: The Little Magic...

Main
Early Film Theories in Italy,...

Early Film Theories in Italy, 1896-1922: The Little Magic Machine

Francesco Casetti (editor), Silvio Alovisio (editor), Luca Mazzei (editor)

0 / 0

Որքա՞ն է ձեզ դուր եկել այս գիրքը:

Ինչպիսի՞ն է բեռնված ֆայլի որակը:

Բեռնեք գիրքը` գնահատելու դրա որակը

Ինչպիսի՞ն է բեռնված ֆայլերի որակը:

An exploration of Italian culture in transition during the advent of cinema, as this 'scandalous' new technology appeared poised to thoroughly change everyday life.

Տարի:

2017

Հրատարակչություն:

Amsterdam University Press

Լեզու:

english

Էջեր:

512

ISBN 10:

9048527104

ISBN 13:

9789048527106

Ֆայլ:

PDF, 1.85 MB

IPFS:

,

english, 2017

Կարդալ Առցանց

Փոխարկումը դեպի կատարվում է

Փոխարկումը դեպի ձախողվել է

Ձեզ կարող է հետաքրքրել

Geert Buelens, Harald Hendrix, and Monica Jansen (Editors) — The History of Futurism. The Precursors, Protagonists, and Legacies

Laura McMahon — Animal Worlds: Film, Philosophy and Time

J. Dudley Andrew — Major Film Theories

Edited By -, Anton Kaes, Nicholas Baer, Michael Cowan — The Promise of Cinema: German Film Theory, 1907–1933

Giovanni Calendoli, Guido Cincotti — Il Risorgimento italiano nel teatro e nel cinema

Peter Bondanella; — The Italian Cinema Book

PETER BONDANELLA — The Italian Cinema Book

Rossella Catanese (Editor) — Futurist Cinema: Studies on Italian Avant-garde Film

Francesco Casetti & Silvio Alovisio & Luca Mazzei (Editors) — Early Film Theories in Italy, 1896 - 1922

Nikita Mathias — Disaster Cinema in Historical Perspective

J. Dudley Andrew — The Major Film Theories: An Introduction

Paisley Livingston, Carl Plantinga — The Routledge Companion to Philosophy and Film (Routledge Philosophy Companions)

Tsivian — Early Russian Cinema and Its Cultural Reception (Soviet Cinema)

Grnstad, A — Screening the unwatchable: spaces of negation in post-millennial art cinema

Galt, Rosalind — The New European Cinema: Redrawing the Map

Anton Kaes, Nicholas Baer, Michael Cowan — The Promise of Cinema: German Film Theory, 1907–1933

Anton Kaes (editor); Nicholas Baer (editor); Michael Cowan (editor) — The Promise of Cinema: German Film Theory, 1907–1933

Richard D. MacCann (editor) — Film: a montage of theories

Richard Abel — French Film Theory and Criticism, Volume 1: A History/Anthology, 1907-1939. Volume 1: 1907-1929

Richard Abel — French Film Theory and Criticism: A History/Anthology, 1907-1939. Volume 1: 1907-1929

Geert Buelens, Harald Hendrix, Michelangela Monica Jansen, (Editors) — The History of Futurism. The Precursors, Protagonists, and Legacies

Carlo Testa — Masters of Two Arts: Re-creation of European Literatures in Italian Cinema

Paul Grainge, Mark Jancovich, Sharon Montieth — Film Histories: An Introduction and Reader

Edward Bowen (editor), Rémi Lanzoni (editor) — The Cinema of Ettore Scola

Rémi Lanzoni, Edward Bowen — The Cinema of Ettore Scola

Edgar Morin — The Cinema, or The Imaginary Man

Jeongwon Joe, Rose Theresa — Between Opera and Cinema

L. Bayman, S. Rigoletto — Popular Italian Cinema

Valentina Valentini, Thomas Haskell Simpson (transl.) — New Theatre in Italy: 1963–2013

Furniss, Harry — Our lady cinema : how and why I went into the photo-play world and what I found there

Richard Abel — French Film Theory and Criticism, Volume 1

ramesht — 9781441168696_FM_Finals_txt_prf.indd

Carlo Testa — Masters of Two Arts: Re-creation of European Literatures in Italian Cinema

Daniela De Pau; Georgina Torello — Watching Pages, Reading Pictures : Cinema and Modern Literature in Italy

Christine Reeh, Josa Manuel Martins — Thinking Reality and Time Through Film

Հիմնական արտահայտություններ