October: The First Decade

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Arts - History & Criticism
October: The First Decade

October: The First Decade

Annette Michelson, Professor Emeritus Founding Ed October Magazine Annette Michelson, Rosalind E. Krauss, Douglas Crimp, Rosalind Krauss, Joan Copjec

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Որքա՞ն է ձեզ դուր եկել այս գիրքը:

Ինչպիսի՞ն է բեռնված ֆայլի որակը:

Բեռնեք գիրքը` գնահատելու դրա որակը

Ինչպիսի՞ն է բեռնված ֆայլերի որակը:

Essays discuss Marcel Duchamp, the Shroud of Turin, insect mimicry, Russian art, art criticism and theory, and psychoanalysis

Կատեգորիաներ:

Arts - History & Criticism

Տարի:

1987

Հրատարակում:

First Cloth Trade Edition

Հրատարակչություն:

The MIT Press

Լեզու:

english

Էջեր:

468

ISBN 10:

0262132222

ISBN 13:

9780262132220

Սերիաներ:

October Books

Ֆայլ:

PDF, 27.57 MB

IPFS:

,

english, 1987

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Փոխարկումը դեպի ձախողվել է

Ձեզ կարող է հետաքրքրել

editors Rosalind Krauss and Annette Michelson — October journal No.10 Autumn (1979)

editors Rosalind Krauss and Annette Michelson — October, journal No.1 Spring (1976)

editors Rosalind Krauss and Annette Michelson — October journal No.5 Summer (1978) - Photography

Douglas Crimp — On the Museum's Ruins

Rosalind E. Krauss — The Originality of the Avant-Garde and Other Modernist Myths

Rosalind E. Krauss — October: the second decade, 1986-1996

Rosalind E. Krauss — Bachelors (October Books)

Rosalind E. Krauss — Passages in Modern Sculpture

editors Rosalind Krauss, Annette Michelson, Douglas Crimp, Joan Copjec — October journal No.42 Autumn (1987) - Marcel Broodthaers

ditors Rosalind Krauss, Annette Michelson, Joan Copjec — October journal No.No.55 Winter (1990)

Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H D Buchloh, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, Malcolm Turvey — October Journal, 113, Summer 2005

David Carrier — Rosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism

Peter Bürger — Theory of the Avant-Garde

Brian O'Doherty — Inside the White Cube: The Ideology of the Gallery Space

Yve-Alain Bois, Rosalind E. Krauss — Formless: A User's Guide

Hal Foster — Bad New Days: Art, Criticism, Emergency

Giuseppe Cruciani — Nudi Il sesso degli italiani

克莱儿．毕莎普 — 人造地狱：参与式艺术与观看者政治学

Jacob, Mary Jane; Grabner, Michelle — The studio reader : on the space of artists

editors Rosalind Krauss and Annette Michelson — October journal No.18 Autumn (1981)

editors Rosalind Krauss and Annette Michelson — October journal No.19 Winter (1981)

Iversen, Margaret., Costello, Diarmuid. — PHOTOGRAPHY AFTER CONCEPTUAL ART

Iversen, Margaret., Costello, Diarmuid. — PHOTOGRAPHY AFTER CONCEPTUAL ART

Iversen, Margaret., Costello, Diarmuid. — PHOTOGRAPHY AFTER CONCEPTUAL ART

Benjamin H. D. Buchloh — Formalism and historicity : models and methods in twentieth-century art

Brian Dillon — Affinities

Mary Jane Jacob — The Studio Reader

Jo Anna Isaak — Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter (Re Visions : Critical Studies in the History and Theory of Art)

Rosalyn Deutsche — Not-Forgetting: Contemporary Art and the Interrogation of Mastery

Rosalyn Deutsche — Not-Forgetting: Contemporary Art and the Interrogation of Mastery

Martha Buskirk — The Contingent Object of Contemporary Art

Levine, Sherrie;Singerman, Howard — Sherrie Levine

Rosalind E. Krauss, Rosalind Krauss, Benjamin H. D. Buchloh, Yve-Alain Bois, Annette Michelson, Hal Foster, Professor Emeritus Founding Ed October Magazine Annette Michelson, Denis Hollier, Silvia Kolbowski — October: The Second Decade, 1986-1996 (October Books)

Jens Hoffmann — The Studio

Richard Bolton — The Contest of Meaning: Critical Histories of Photography

Martha Buskirk — The Contingent Object of Contemporary Art

Blake Stimson — The Pivot of the World: Photography and Its Nation

editors Rosalind Krauss and Annette Michelson — October journal No.30 Autumn (1984)

editors Rosalind Krauss and Annette Michelson — October journal No.22 Autumn (1982)

Marina Vaizev — The Artist as Photographer

Laurie Taylor — The Materiality of Exhibition Photography in the Modernist Era: Form, Content, Consequence

Patrizia McBride — The Chatter of the Visible: Montage and Narrative in Weimar Germany

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